The Audible Past

Author: Jonathan Sterne
Publisher: Duke University Press
ISBN: 9780822330134
Size: 10.85 MB
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He's come here to give us the lowdown on how the technology evolved. Think of the book as a kind of sonic map of the origins of the way we listen to things around us, as a primer for the sonically perplexed."--Paul D. Miller a.k.a.

Mp3

Author: Jonathan Sterne
Publisher: Duke University Press
ISBN: 0822352877
Size: 32.54 MB
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Jonathan Sterne shows that understanding the historical meaning of the MP3, the world's most common format for recorded audio, involves rethinking the place of digital technologies in the broader universe of twentieth-century communication ...

The Sound Studies Reader

Author: Jonathan Sterne
Publisher: Routledge
ISBN: 0415771307
Size: 43.73 MB
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The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies.

Living Stereo

Author: Paul Théberge
Publisher: Bloomsbury Publishing USA
ISBN: 1623565510
Size: 51.49 MB
Format: PDF, ePub
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“The Theory of Binaural Audition: A Contribution to the Theory of Sound.”
Philosophical Magazine 7, series 5 (January–June): 181–97. Sterne, J. 2001. “A
Machine to Hear for Them: On the Very Possibility of Sound's Reproduction.”
Cultural Studies 15(2): 259–94. —2003. The Audible Past: Cultural Origins of
Sound Reproduction. Durham: Duke University Press. —2012. MP3: The
Meaning of a Format. Durham: Duke University Press. —2013. “Reverb and the
History of Perspective.

Sounds In Translation

Author: Amy Chan
Publisher: ANU E Press
ISBN: 1921536551
Size: 41.15 MB
Format: PDF, Kindle
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Subsequent volumes have taken up this challenge: Wireless Imagination: Sound,
radio and the avant-garde (Kahn and Whitehead 1992), The Soundscape of
Modernity: Architectural acoustics and the culture of listening in America, 1900–
1933 (Thompson 2002), The Audible Past: Cultural origins of sound reproduction
(Sterne 2003), Sound Matters: Essays on the acoustics of modern German
culture (Alter and Koepnick 2004) and Hearing Cultures: Essays on sound,
listening and ...

The Late Age Of Print

Author: Ted Striphas
Publisher: Columbia University Press
ISBN: 0231519648
Size: 44.62 MB
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For an astute discussion of this problem in relation to the history of sound
reproduction, see Jonathan Sterne, The Audible Past: Cultural Origins of Sound
Reproduction (Durham, N.C.: Duke University Press), 215–86. John Tebbel, A
History of Book Publishing in the United States, vol. 3, The Golden Age between
the Two Wars, 1920–1940 (New York: Bowker, 1978), 72–73. Edward L. Bernays
, Biography of an Idea: Memoirs of Public Relations Counsel Edward L. Bernays (
New York: ...

Agustin Lara

Author: Andrew Grant Wood
Publisher: Oxford University Press
ISBN: 0199976740
Size: 50.55 MB
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397–432. One of the best recent treatments of Mexican cultural nationalism can
be found in John Mraz, Looking for Mexico: Modern Visual Culture and National
Identity (Durham, NC: Duke University Press, 2009). 9. On nineteenthcentury
innovations in sound technology see Jonathan Sterne, The Audible Past: Cultural
Origins of Sound Reproduction (Durham, NC: Duke University Press, 2003).
Rubén Gallo champions the 1920s as the dawning of Mexican modernity and
focuses on ...

Articulate Objects

Author: Aura Satz
Publisher: Peter Lang
ISBN: 9783039107476
Size: 28.65 MB
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... 1993); Michel Chion, The Voice in Cinema (New York: Columbia University
Press, 1999) and Steven Connor, Dumbstruck: A Cultural History of
Ventriloquism (Oxford: Oxford University Press, 2000). 2 For a study on these
developments, see Jonathan Sterne, The Audible Past Cultural Origins of Sound
Reproduction (Durham and London: Duke University Press, 2003). cope with
them.3 He also had an eye and ear Jon Wood With Hidden Noise: Sculpture,
Video and Ventriloquism.

Against Ambience

Author: Seth Kim-Cohen
Publisher: Bloomsbury Publishing USA
ISBN: 1628921366
Size: 13.16 MB
Format: PDF, Kindle
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... whichclosedon July 28, 2013, smack dabin the middleof the three months
under discussion here. This type of work, which Iwill deal with asone plank in the
platform ofthe ambient,is more troubling thanopart because, knowingly ornot, it
avails itself of the traitsof sound, as sound is typically construed. This construal is
multifarious. Some of its assumptions are more stubbornly attached to sound than
others. In The Audible Past: Cultural Origins of Sound Reproduction, Jonathan
Sterne ...

Electric Sounds

Author: Steve J. Wurtzler
Publisher: Columbia University Press
ISBN: 023151008X
Size: 14.73 MB
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... American Movie Audiences: From the Turn of the Century to the Early Sound
Era (London: BFI, 1999), 164–79. 11. See, for example, Chanan, Repeated
Takes, 54–79; Millard, America on Record, 136–75; and Crafton, The Talkies, 23
–61. 12. Emily Thompson, The Soundscape of Modernity: Architectural Acoustics
and the Culture of Listening in America, 1900–1933 (Cambridge: MIT Press,
2002); Jonathan Sterne, The Audible Past: Cultural Origins of Sound
Reproduction (Durham, ...